Collaborative composition proposed between Andrew Garton and Cape Town based Benguela. The following notes are in draft form.
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A structured composition to be performed in Cape Town, South Africa, Jul 2009. Collaborating artists will seek to represent the transition from homeland to homeworld.
As humans drift, migrate or flee, generations of cultural knowledge is lost, languages are extinguished and attachment to home land is diminished. Where are the new home lands?
We may immortalise those who have fallen in battle but we all too quickly forget the cultures that perish due to our appetite for resources that must sustain is all, now and into the future.
From home land to home world – perhaps our consciousness will grow to embrace this for the common good and in doing so, that which we have lost will not have been in vain... Lest we forget[1].
Home World reminds us of the fragility of cultures in transition and those who remain, and seek to sustain themselves on their ancestral, customary lands.
For more details about process, refer to Drift Theory.
Musicians (n the form of a quartet, quintet or sextet) will perform each movement one by one at five minute intervals with an additional three minutes (drift sequences) within which to interact with the next performer.
In short, performers have each three to five minutes to perform their movement and three minutes to drift into the next.
The order in which each movement is performed may be defined by the composer prior to, or allocated at the time of a scheduled performance of the work. However, this is not mandatory. Depending on technical requirements of Homeworld Drft, it may be necessary to define an ordered arrangement in advance.
Late July 2009. Venue to be confirmed, but the New Space Theatre has been proposed.