Homeworld Drift

From Andrew Garton's wiki

Collaborative composition proposed between Andrew Garton and Cape Town based Benguela. The following notes are in draft form.

Contents

Abstract

A structured composition to be performed in Cape Town, South Africa, Jul 2009. Collaborating artists will seek to represent the transition from homeland to homeworld.

Background

As humans drift, migrate or flee, generations of cultural knowledge is lost, languages are extinguished and attachment to home land is diminished. Where are the new home lands?

We may immortalise those who have fallen in battle but we all too quickly forget the cultures that perish due to our appetite for resources that must sustain is all, now and into the future.

From home land to home world – perhaps our consciousness will grow to embrace this for the common good and in doing so, that which we have lost will not have been in vain... Lest we forget[1].

Home World reminds us of the fragility of cultures in transition and those who remain, and seek to sustain themselves on their ancestral, customary lands.

Process

  1. Create an individual movements based on the core themes. Four, five or six movements (depending on the final number of performers in the Terminal project) in all will be created.
  2. Ensure the piece can be performed for at least 5 to 7 minutes and enough resources available to contribute to a 20 minute improvised movement with all members of the Quintet.
  3. Movements are composed, constructed and developed in isolation from other members of the Quartet. Unless required for technical reasons, or as defined by the context or theme of Homeworld Drift, neither performer may be aware of the strategies each may employ to perform their movement.
  4. Technical requirements to be ratified in scheduled workshops.

For more details about process, refer to Drift Theory.

Arrangement

Musicians (n the form of a quartet, quintet or sextet) will perform each movement one by one at five minute intervals with an additional three minutes (drift sequences) within which to interact with the next performer.

In short, performers have each three to five minutes to perform their movement and three minutes to drift into the next.

The order in which each movement is performed may be defined by the composer prior to, or allocated at the time of a scheduled performance of the work. However, this is not mandatory. Depending on technical requirements of Homeworld Drft, it may be necessary to define an ordered arrangement in advance.

Technical requirements

Sound

Lighting

Video

Performers

Schedule

Workshops

Performance

Late July 2009. Venue to be confirmed, but the New Space Theatre has been proposed.

References